Tuesday, 27 March 2012
Monday, 19 March 2012
Tuesday, 13 March 2012
Sound in 'Full Time'
Sound in Full Time.
The song that has been chosen for our intro is Encoda by Pendulum. http://www.youtube.com/watch?v=eB74qeRghrw
We have chosen this because of many reasons for example; the fast paced filming links into the fast and exciting music which will be in the background. Also in certain areas of our intro we have parts which involve loud or sudden sounds however we will not just have the normal sound of footsteps for example. http://www.youtube.com/watch?v=CsZUGoa3JHc&feature=relmfu
We will hopefully increase and edit the normal sound and make it more harsh sounding and painful for various effects.
Also there are many different parts in out intro which have desired bits of intensity this means that in some areas it will have quick and fast paced music while in other parts it will have slower less exciting music and sounds effects.
resourced by Josh Poole.
The song that has been chosen for our intro is Encoda by Pendulum. http://www.youtube.com/watch?v=eB74qeRghrw
We have chosen this because of many reasons for example; the fast paced filming links into the fast and exciting music which will be in the background. Also in certain areas of our intro we have parts which involve loud or sudden sounds however we will not just have the normal sound of footsteps for example. http://www.youtube.com/watch?v=CsZUGoa3JHc&feature=relmfu
We will hopefully increase and edit the normal sound and make it more harsh sounding and painful for various effects.
Also there are many different parts in out intro which have desired bits of intensity this means that in some areas it will have quick and fast paced music while in other parts it will have slower less exciting music and sounds effects.
resourced by Josh Poole.
Sunday, 4 March 2012
Tuesday, 31 January 2012
Primary shot list.
The primary shots we decided to use in our film opening included:
Panning Shot - Used when Jonny is being chased across a ledge, the camera is situated at a lower level moving with the action, emphasising the pace of the chase. This is also used when nearing the end of the film, with the camera panning around the victims head, showing his worried, panicked emotion.
Close-Up - A shoe of each actor is shown closely as they run past, emphasising who was chasing who and increasing the tension as these short clips are transitioned with a black screen with the sound of someone panting.
Still - This was probably our most commonly used shot. The actor(s) would run past the camera, giving the audience a chance to establish characters clothes etc. This shot is also used towards the end of the film opening when the victim is at gunpoint, we feel this shot was necessary as it shows the victims vulnerability and the attackers dominance. This shot was most effectively used when we incorporated the sunset into the shot. The sun coming through the railings allowed us to show the actors as silhouettes, which would only be possible with a still.
P.O.V. - This was only used once and we are unsure whether or not to use it in the final draft. This was used from the point of view of a chaser, showing him running down a flight of steps. This shot was very unsteady and the light intensity was poor, however, it gave an alternative view and emphasised the pace.
Zoom Out - Whilst running across a bridge, the cameraman stood at the end waiting, as they approached the camera zoomed out with them, they ran past the camera showing the intensity of the run.
Extreme Close Up - Used when iPod is being plugged in and on the gun near the end. Showing the gun close up emphasises the importance of the weapon.
Pan-Up - The final shot used, as the victim leaves the house the camera pans up into the cloudy, white sky, locating an ideal spot for the title Full Time to appear.
Each shot considered typography and titles. Where necessary we tried to keep the camera as stable as possible.
-Resourced from Michael Roberson.
Panning Shot - Used when Jonny is being chased across a ledge, the camera is situated at a lower level moving with the action, emphasising the pace of the chase. This is also used when nearing the end of the film, with the camera panning around the victims head, showing his worried, panicked emotion.
Close-Up - A shoe of each actor is shown closely as they run past, emphasising who was chasing who and increasing the tension as these short clips are transitioned with a black screen with the sound of someone panting.
Still - This was probably our most commonly used shot. The actor(s) would run past the camera, giving the audience a chance to establish characters clothes etc. This shot is also used towards the end of the film opening when the victim is at gunpoint, we feel this shot was necessary as it shows the victims vulnerability and the attackers dominance. This shot was most effectively used when we incorporated the sunset into the shot. The sun coming through the railings allowed us to show the actors as silhouettes, which would only be possible with a still.
P.O.V. - This was only used once and we are unsure whether or not to use it in the final draft. This was used from the point of view of a chaser, showing him running down a flight of steps. This shot was very unsteady and the light intensity was poor, however, it gave an alternative view and emphasised the pace.
Zoom Out - Whilst running across a bridge, the cameraman stood at the end waiting, as they approached the camera zoomed out with them, they ran past the camera showing the intensity of the run.
Extreme Close Up - Used when iPod is being plugged in and on the gun near the end. Showing the gun close up emphasises the importance of the weapon.
Pan-Up - The final shot used, as the victim leaves the house the camera pans up into the cloudy, white sky, locating an ideal spot for the title Full Time to appear.
Each shot considered typography and titles. Where necessary we tried to keep the camera as stable as possible.
-Resourced from Michael Roberson.
Friday, 6 January 2012
'Full time' opening draft feedback
Well done!!!
Some great camera angles, and the sun really adds to the production values.
- Ernie Limbo
The framing of the shots were great, as was the research into typography.
Good luck editing :p
- rosie & clara
USE THE FIRST SHOT OF JOHNY NOT THE OPOSITE ONE!!!!!
- Elliot Goodwine
Some great camera angles, and the sun really adds to the production values.
- Ernie Limbo
The framing of the shots were great, as was the research into typography.
Good luck editing :p
- rosie & clara
USE THE FIRST SHOT OF JOHNY NOT THE OPOSITE ONE!!!!!
- Elliot Goodwine
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